PRINCE: il Genio di Minneapolis! - past, present & future

kate70, 16/03/2017 16.30:

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Allora quando hai bisogno, fa' un fischio

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ciao allora mi potresti tradurre questa parte
di questo articolo che parla di Prince come chitarrista
grazie

And then at the end of the song the solo happens, a solid minute of sustained
instrumental greatness. The guitar is saturated in distortion but it warms rather
than scalds, tearing through beautiful melodies and exquisitely crafted phrases. It
has blazing 16th-note runs; it has sustained, soaring vibratos that absolutely sing.
It’s all here, everything from Mississippi John Hurt to Sister Rosetta Tharpe to B.B.
King to Revolver to Hendrix to Clapton himself, pouring out of the fingers of a
20-year-old kid. There’s a sort of joyous fury and defiant reclamation to it, like
someone who’s just heard his generation flip out over Van Halen’s “Eruption”
(released the previous year) and is letting anyone within earshot know that he
could do that, too, but chooses not to. To paraphrase another Minnesotan out of
context, it’s the sound of when he was hungry, and it was their world. But they
were wrong-it was always his.